Many scientists had been skeptical about the original measurements, which flew in the face of Albert Einstein’s 1905 Special Theory of Relativity which states that nothing in the universe can travel faster than light, an assertion that underpins much of modern physics and cosmology. These all produced a time consistent with the speed of light, CERN said. In the Florida version, this error has been corrected and the Ghost Host says. They used independent timing data and measured seven neutrinos in the beam sent from CERN. The attractions theme is a visit to a haunted house in which the ghostly. The fresh analysis was done by researchers working on a separate experiment called ICARUS. “The evidence is beginning to point towards the OPERA result being an artefact of the measurement,” CERN Research Director Sergio Bertolucci said in a statement on Friday. Since then, more doubts have crept in about the original claims, especially after news last month that the first finding from the so-called OPERA experiment may have been distorted by faulty cabling. The latest measurement of the sub-atomic particles’ time of flight from the CERN research centre in Geneva to Gran Sasso in central Italy contradicts an initial super-fast reading reported last September, which caused a scientific sensation. Enlightened Kingdom has international rights to the film.This advertisement has not loaded yet, but your article continues below.
The Lady Of Heaven opened in the US on December 10 via AMC Theatres. “That was a huge challenge and a lot of corners had to be cut,” said Ashmere. The Covid-19 lockdown hit just as the film went in to post-production an work on the film was forced to come to a standstill.
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“It’s not only an emotional film, where it’s obviously full of action and so forth, but it’s also going to be a film that’s informative, it’s going to bring about education to some people, ” said Ashmere. “The aesthetics of the film come down to his creative work,” says Shlibak. We spent meticulous amounts of time with the VFX house to craft these holy characters as exact as the historical records tell us they looked,” Shlibak explainedįormer Jim Henson Productions chief and Oscar-winning UK filmmaker Stephenson joined as creative consultant and helped with everything from framing shots, composition, even early storyboards. “We had to figure out a new CGI approach which has never been done before. It meant no actor could actually play the role of Lady Fatima or her father the Prophet Mohammed. The team took great pains to not show a holy person represented by a human. Writer Al-Habib insisted from day one the film would have to be 100% historically accurate and in accordance with the Muslim faith. The film was set up as a collaborative effort: Eli King represents the collaborative effort between writer Al-Habib, the creative team of Shlibak and Ashmere, and the film’s executive producers, producer Matthew Kuipers and creative consultant John Stephenson. “It took many years to come together and to make sure we as Muslims portrayed the Lady and the holy characters and everyone else in a way to ensure no-one will find it offensive,” said Shlibak. Patience plays a very big part in getting any film from idea to screen and The Lady Of Heaven was no different. “We hope people can take inspiration from the Lady now and what she went through and the challenges she faced,” said Shlibak. Writer Sheikh Al-Habib came up with the idea to connect the modern and ancient world timelines and stories together.
The story of the Lady is rich and hugely complex. We have this passion to share the story of the Lady with the world. “The Lady of Heaven is a very important character to us,” explained Shlibak. The $15m historical drama interweaves two storylines set centuries apart: A young Iraqi child’s journey amid a battle-scarred country learning the power of patience and the historical story of Arabian holy legend Lady Fatima and her message of peace and non-violence. Shlibak and Ashmere say bringing the story to the screen through their Enlightened Kingdom production company brought to fruition a lifelong ambition for them both. In an interview with Screen, the duo talk overcoming hurdles, making history relevant and why a former Jim Henson Company chief helped bring the pair’s lifelong wish to bring the story of Arabian historical holy figure Lady Fatima to 21st century audiences. Finding pioneering ways to portray religious figures in the Muslim faith, having the post-production rug pulled from under them as Covid-19 hit and bringing on board an Oscar winner as a creative consultant were all in a film’s work for the London-based creative producers Abdul-Malik Shlibak and Hussein Ashmere of their historical drama The Lady Of Heaven.
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